IGS S-TYPE audio buss compressor (SSL style) 955,90EUR
The S-type is based on a classic British buss compressor design. The unit uses THAT 2180 VCA's to get that classic sound. These devices shine on everything from subtle compression on complete mixes to hard drum group compression.
Technical specifications : -Discreet audio path -Balanced XLR inputs & outputs -Operating Level +4dB (-10dB also available) -Maximum Output +29 dBV, -Meters reads Gain Reduction, -Max. Gain Reduction 20dB -Gain Boost 20dB -Attack Time: 0.1 - 30ms -Release Time: 0.1s - 1.2s and Auto. -Bypass Rotate Switch -THD <0.055% @ 1Khz -S/N Ratio: 122dB -Mains consumption: 18 watts -Soft Start Power Timer -Shipping weight: 4 kilos
955,90EUR
http://www.igsaudio.pl/
Spectra Sonics 611G Guitar/Instrument Compressor/Limiter
The Spectra Sonics 611G Guitar/Instrument Complimiter is a unique high impedance guitar/instrument compressor/limiter design which is based on the legendary 610 Complimiter, (circa 1969). The 611G is a hand-built, discrete design that utilizes hand-selected components, including British made audio isolation transformer(s).
The 611G operates as an independent peak limiter, compressor, or in combination, respectively.
The 611G provides:
Dramatic improvement in dynamic range and harmonic content
Reduced distortion due to the elimination of transient overload
Improved system noise performance
Instantaneous control of dynamic range, (compression function)
Unequaled sonic performance with either passive or active instrument pickups
Under most applications, the 611G should be terminated directly to the guitar/instrument. In turn, the 611G may be terminated to other effects devices, guitar amplifiers, or console inputs.
NAMM ’10 SSL X-Patch (VIDEO) Shipping Spring 2010 $1,200
http://www.solid-state-logic.com/news/article.asp?ID=219&T=M
LOS ANGELES — Solid State Logic, the world’s leading manufacturer of professional digital and analogue consoles, is proud to announce the release of X-Patch at the 2010 Winter NAMM Convention, Booth 6907 at the Anaheim Convention Center from January 14th to 17th.
PreSonus Unveils StudioLive 24.4.2 Digital Mixer
For full story click the continue reading button to the right
Following up on the runaway success of its StudioLive 16.4.2 digital mixer, PreSonus announced a new member of the family: the StudioLive 24.4.2. Like its 16-channel sibling, the 24-channel StudioLive 24.4.2 is designed for both studio recording and live sound, without compromising the requirements for either.
NAMM ’10 Trident HG3 High Def Studio Monitors HD 1080p VIDEO
Trident Audio Developments shows off their *NEW* HG3 Monitors designed by Harvey Gerst, Estimated Street Price Is Under $5000.
AEA R44CE & R44CXE Reduced Cost R44C Ribbon Mic NAMM ’10
-NEW-
R44CE & R44CXE
Think of it as the cost effective 44
How is it different than the classic AEA R44C ?
The new CE and CXE have simplified black and satin-silver exteriors. Their sound is the same as our 44C and CX classic Big-Ribbontm microphones. The CE replaces the CNE, our 2001 NAMM 100th anniversary model.
Cushion Mount: The CE cushion mount is machined from a single piece of aluminum and black anodized. The original R44C cushion mount is made from six pieces of hand-polished, bright plated and hand-assembled brass.
Yoke: The CE yoke is round-edge steel with a silver-satin finish. The AEA R44C yoke is a bronze investment casting that is bright polished and plated. It is identical to RCA’s zinc casting but is stronger and lasts much longer.
Grill: The perforated brass grills on the R44CE and the R44C are the same.
The R44C is bright polished and plated where the R44CE is satin finished.
Cable: Accusound Studio Pro Quad is used on the 44CE. The R44C uses the new Accusound Silver Triplex cable with a black cloth cover.
Transformer Case: Mechanically the cases are the same. The CE finish is all black with an epoxy logo front and rear. White for standard, and red for the high output CXE. The R44C case is the hand polished 1936 Streamline-Moderne Radio finish, black badged for standard and red for high-output.
Price: R44CE $2,800.00, R44CXE high-output $3,300.00. Price includes a 44VC case for protected shipping and vertical storage, and an extensive manual. AEA’s R-Series includes the classic R44C and high-output CX, the medium-distance R84, the stereo R88, the close-up R92. The active A-Series are the super-quiet A440 and the A840, use-with-any-preamp, Big-Ribbontm.
AEA/Audio Engineering Associates
1029 N. Allen Ave. Pasadena, CA 91104
stereoms@aol.com 1-626-798-9128 Fax: 1-626-798-2378
Overstayer Stereo FET Compressor $500 w/DIRT switch & Blend Knob
The Overstayer Stereo Compressor is a dual channel solid state FET compressor with one set of controls in a half rackspace 1RU chassis. Additional features include:
-Input low pass filtering (TINT switch) for controlling excessive brightness during large amounts of gain reduction
-Non-linear FET mode (DIRT switch) for added harmonic distortion
-Detector bandwidth limiting (GRAB switch out) for even response on full bandwidth signals
-BLEND control for parallel compression
-Time constants adjustable with ATTACK dial in conjunction with A/Rx10 switch (when switch is in dial range is extended 10 fold and release is slowed)
-Stereo Linking of detectors
-Compression indicator LED meter
-Relay switched true bypass
-XLR in and out
Introductory price $500.00 USD plus shipping and handling (US and Canada only)
International orders please use the Contact form for purchase information
A FET compressor for $500 with a blend knob and a dirt swich! Sounds great, can't wait to hear for myself.
http://overstayer.squarespace.com/stereo-compressor/
Overstayer Channel Amplifier Microphone & Instruments Discrete Preamp $500
The Overstayer Channel Amplifier is a discrete solid state instrument and microphone amplifier, coupled with a discrete tone circuit and fader amplifier into a hybrid output stage, all within a half rackspace 1RU chassis. Features independent GAIN and OUTPUT level controls, allowing either the microphone amplifier or the fader amplifier (or both) to be overdriven, providing a wide array of harmonic possibilities. Other features include:
-Transformer coupled microphone input (Jensen)
-Hi impedance 1/4 inch DIRECT Input
-20dB pad
-polarity invert
-High pass filter
-Tone control with a dark to bright tone dial and a bass boost switch
-48V phantom power
-XLR connections for microphone input and line output
Introductory price $500.00 USD plus shipping and handling (US and Canada only)
http://overstayer.squarespace.com/channel-amplifier/
This looks like it could be a great pre for the money!
Electronaut M63 — Tube Microphone/Instrument Amp
And here is a basic list of features:
- Lundahl Amorphous-Core Audio Transformers
- 63 dB Gain
- Slow-Start Tube-Rectified High-Voltage Power Supply
- Custom Shielded and Potted Toroidal Power Transformer
- Heavy-Duty Printed Circuit Boards (.125" thick!)
- Phantom Power with Ramped Start-Stop Action
- Locking Phantom Power Switch
- Two Level Controls per Channel
- Illuminated Sifam VU Meters
- 120/240 V Operation, Switchable
- 12AY7/12AU7/12X4 Tube Complement
- 20dB PAD
- Neutrik® XLR and Instrument Connectors
- Heavy-Duty Toggle Switches
- Small-Signal Relays with Gold Plated Contacts
- New-Production Daka-Ware Knobs (Made from the original dies!)
- Optional Custom CasePlease visit my website for more information, and feel free to send me an email with questions, comments, etc.
Thanks for looking, and Happy 2010!!
-Rob Roy M. Campbell
USED GEAR PORTALS
