RUPERT NEVE DESIGNS NEW STEREO INPUT AND INDUCTOR EQ/COMPRESSOR MODULE AES 2011
RUPERT NEVE DESIGNS NEW STEREO INPUT AND INDUCTOR EQ/COMPRESSOR MODULE
FROM GEAR SLUTZ
At this year’s AES Convention in New York City, Rupert Neve Designs is announcing the release of two new modules for its groundbreaking and multi-award-winning 5088 console: the 5051 Inductor EQ/Compressor module and the 5088 Stereo Module.
The 5051 combines a classic three-band EQ based on Rupert’s vintage designs with the power and flexibility of the Portico Series compressor. Utilizing a discrete, class A signal path and high performance input and output transformers, the 5051 delivers the performance and musicality expected from a Rupert Neve Design. The new Stereo Module for the 5088 uses the same high-voltage, transformer-coupled topology found throughout the 5088, and allows both twice the density and considerable cost savings when compared to mono modules. The Stereo Module is outfitted with a single Penny & Giles 100mm fader, individual left/right pans, individual trims, six auxes and a stereo width control. When Aux to Groups on Aux 5/6 is activated, the stereo channel signal can be routed with an independent mix level to any of the console’s eight groups.
The 5051 module’s EQ design certainly invokes sonic similarities with some of Rupert's classic EQs. The 5051 uses a custom tapped inductor with selected capacitors to form the mid-range equalizer band. The shelf curves are based on Rupert's vintage modules, using very similar frequency choices as well. Each EQ section also uses low feedback, class A, discrete topologies to prevent low level artifacts and harshness from detracting from the tonal shaping. The EQ, however, is a modern design with advantages offered by techniques that were not possible 35 years ago along with improvements in electronic components currently available, and should not be considered a clone. Let's just say it has heritage.
Both the High and Low Bands can be switched from Shelf to Peak curves and offer 15 dB of boost or cut. The High can be switched from 8 kHz to 16 kHz and the Low Band selected at 35 Hz, 60 Hz, 100 Hz or 220 Hz. The inductor based Mid Band offers six center frequencies: 200 Hz, 350 Hz, 700 Hz, 1.5 kHz, 3 kHz and 6 kHz. The Mid Band also has a High Peak switch to narrow the bandwidth or increase the Q of the filter. The 5051 includes an 18 dB/octave High Pass Filter with two corner frequencies on an illuminated button that toggles through OFF, 60 Hz, and 120 Hz, indicated by a blue or red LED respectively.Additionally, the EQ can be switched Pre or Post the compressor. Normally the EQ precedes the compressor but the order can be selected so that the EQ follows after the Compressor. The 5051 also has two XLR balanced inputs that can be switched from the front panel. This allows the user, for example, to have a mic preamplifier and a line input from a DAW pre-patched and easily selectable.
The 5051 Compressor also features a discrete class A signal path proven in the Portico Series. The Threshold has a range of –30 dBu to +10 dBu. The Ratio can be set from 1.1:1 to 40:1. The Attack has a range of 5 mS to 75 mS and the Release allows from 100 mS to 2.5 S to be set. Final Gain can be set from –6 dB to +20 dB.
The Compressor allows the user to select either a modern Feed-Forward topology or the traditional Feed-Back style of compression. Each has advantages depending on the source and desired sound. A 250 Hz high pass filter can be switched into the compressor sidechain to reduce the chance that loud low frequency material inadvertently affects the gain reduction. A LINK switch and associated 1/4-inch phone jacks on the back panel allow two (or multiple) 5051s to be properly used for stereo where gain changes happen together. A pair of 1/4-inch phone jacks is also provided on the back for patching an equalizer into the sidechain for de-essing and finessing. The 5051 has two fast acting, accurate LED bargraph meters to indicate Gain Reduction and Output Level.
It should be pointed out that the 5051, at this time, is intended exclusively for the 5088 console. The 5051 uses a shared central power supply designed to feed up to 25 5051 modules. This both reduces heat buildup within the modules and reduces the costs associated with DC-DC converters in every module.
###
Founded by Rupert and Evelyn Neve, Rupert Neve Designs is built on passion, experience and a desire to create products embodying the highest musical quality. In continuing his legacy as a pioneer in audio circuit design, Mr. Rupert Neve is currently focusing his talents on creating innovative solutions to the issues facing the modern recording engineer. For further information on Rupert Neve Designs please visit Rupert Neve Designs
Portico is a trademark of Rupert Neve Designs, Inc.
Company contact:
Rupert Neve Designs,
PO Box 1969,
Wimberley, TX 78676.
Tel: (512) 847-3013
Fax: (512) 847-8869
E-mail: info@rupertneve.com
JoshRND is offline Reply With Quote
Anamod 500 Series Two-Stage Transformer/Tube Analog Simulator AES 2010
From Anamod:
Vesatile modeled amplifier
· Two transformer stages - 2 models each
· Two tube stages stages - 4 models each
· All analog - no latency or conversion
· Single-space 500 series rack formatWhether tracking live or re-processing instruments, many people use a tube amplifier to shape the sound of a track. The AnaMod XF Tube provides a unique way to do this. The XF Tube is an analog model of an amplifier which consists of an input transformer, 2 tube stages, and an output transformer. Any of the stages may be bypassed and each stage has switchable parameters. The transformer stages allow for the selection of an iron or nickel core model while the tube stages provide models for both pentodes and triodes as well as configuring the stage as either push-pull or single-ended.
The XF Tube, while being model based, is a purely analog device. It was created using the AnaMod process to model the complex tube and transformer characteristics. Unlike a digital plug-in or processor- based outboard gear, there is no latency, and no A/D or D/A conversions to compromise the sound.
Specifications
Input Impedance: 20KΩ, balanced
Output Impedance: less than 50Ω
Max. Output Level: +21dBu, balanced
Transformer Models: Iron or Nickel
Tube Models: Pentode or Triode
Stage Configurations: Push-Pull or Single Ended
Drive Controls: One for each tube stage
Iron / Byp. / Nickel: Sets the transformer model or bypasses the stage entirely.
Single-Ended / Byp. / Push-Pull: Sets the stage configuration or bypasses the stage entirely.
ANAMOD WILL BE SHOWING THIS FANTASTIC PROUCT AT AES 2010!
Stillwell Bombardier Buss Compressor
Bombardier is our most ambitious project to date – a premium quality buss compressor, tailored for smooth and musical processing of complex audio such as drum groups, vocal stems and your full stereo mix, lending a controllable sense of weight, fluidity and cohesion.
Bombardier gives a nod to the non-linear and frequency-variant subtleties of a wide range of Grade-A hardware buss compressors, and should you wish these can be pushed almost into the realms of a character compressor.
Due to its RMS compression engine (and unlike The Rocket, which uses peak compression), Bombardier is ideally suited to final mixdown and mastering usage, as well as for those who like to set up buss dynamics first and then mix ‘into’ the buss compressor.
Bombardier’s party piece is the new and unique ‘bomb’ processing algorithm which, when selected, gives attack and release settings that are effectively instantaneous while yielding exceptionally smooth gain reduction. Bomb mode is sure to become a firm favourite with mastering engineers the world over, but can also give extremely satisfying results in single track and buss applications
Five different and highly effective pre-emphasis filter modes vary Bombardier’s response to the frequency spectrum and are key to preserving transparency during full-mix compression.
Bombardier is very flexible, offering forward/feedback topologies, variable and automatic release behaviours, sidechain operation, parallel processing and variable gain reduction range limiting. Choosing appropriate settings for the task at hand is critical to getting the best out of Bombardier, so a full range of well chosen presets are provided.
Overstayer Stereo FET Compressor $500 w/DIRT switch & Blend Knob
The Overstayer Stereo Compressor is a dual channel solid state FET compressor with one set of controls in a half rackspace 1RU chassis. Additional features include:
-Input low pass filtering (TINT switch) for controlling excessive brightness during large amounts of gain reduction
-Non-linear FET mode (DIRT switch) for added harmonic distortion
-Detector bandwidth limiting (GRAB switch out) for even response on full bandwidth signals
-BLEND control for parallel compression
-Time constants adjustable with ATTACK dial in conjunction with A/Rx10 switch (when switch is in dial range is extended 10 fold and release is slowed)
-Stereo Linking of detectors
-Compression indicator LED meter
-Relay switched true bypass
-XLR in and out
Introductory price $500.00 USD plus shipping and handling (US and Canada only)
International orders please use the Contact form for purchase information
A FET compressor for $500 with a blend knob and a dirt swich! Sounds great, can't wait to hear for myself.
http://overstayer.squarespace.com/stereo-compressor/
Greg Hanks Design BA-660 Tube Preamp/Limiter
from Sean Eldon of Mercenary Audio:
Some thought they'd never see the day...
Brand new, built-to-order Greg Hanks BA-660's are available exclusively through Mercenary Audio.
We've been working with Greg for a few months, checking out a pair of 14-year-old units on sessions, checking out the original prototype, thinking about what we might like to change or tweak for a new production...
It didn't take long to realize that nothing should be changed. These units will be made exactly as they were in the mid-90's, with the exception of ditching the PCMCIA cardslot which would expand the limiter presets. All presets can be had in manual operation if you know the "formulas" and we felt the 5 originals (660, LA2A, 2254, SSL Quad, BA6A) were more than okay...they're actually stellar.
Still, the presets can be customized to your liking when placing the order.
If you are unfamiliar with this unit, a quick Googling or search on this forum should turn up some information for you. We have posted the operator's manual on our website, as well.
Price is $6,000USD. Plan on about 6-8 weeks for delivery.
Greg does have some great ideas for new products as well...we just figured we'd start with a classic and proven design. No harm in that.
http://www.mercenary.com/greghanks660.html
USED GEAR PORTALS
